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	<title>David Louis Edelman &#187; RealNetworks</title>
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	<link>http://www.davidlouisedelman.com</link>
	<description>Science Fiction Novelist, Blogger, Web Programmer</description>
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		<title>Ten Tech Companies That Blew It in the Past Two Decades</title>
		<link>http://www.davidlouisedelman.com/technology/failed-tech-companies/</link>
		<comments>http://www.davidlouisedelman.com/technology/failed-tech-companies/#comments</comments>
		<pubDate>Fri, 26 Jan 2007 19:56:34 +0000</pubDate>
		<dc:creator>David Louis Edelman</dc:creator>
				<category><![CDATA[Technology]]></category>
		<category><![CDATA[America Online]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Atari]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[Compaq]]></category>
		<category><![CDATA[failed companies]]></category>
		<category><![CDATA[Gateway]]></category>
		<category><![CDATA[Intuit]]></category>
		<category><![CDATA[Netscape]]></category>
		<category><![CDATA[Palm]]></category>
		<category><![CDATA[RealNetworks]]></category>
		<category><![CDATA[Sony]]></category>
		<category><![CDATA[tech companies]]></category>

		<guid isPermaLink="false">http://www.davidlouisedelman.com/?p=190</guid>
		<description><![CDATA[What makes a technology company fail? Here are a handful of companies from the past twenty years that strike me as prime examples of organizations who lost a commanding lead and/or market dominance in a particular field due to their own idiocy or incompetence.]]></description>
			<content:encoded><![CDATA[<p id="top" />I had a high-tech CEO ask me the loaded question to end all loaded questions the other day. <strong>What makes a technology company succeed?</strong></p>
<p>It&#8217;s almost impossible to come up with a single answer, or even a single set of answers. What do Google, Microsoft, YouTube, MySpace, Digg, Mozilla, Adobe, Dell, and Apple have in common? I came up with a number of factors off the top of my head &#8212; empowering users, keeping a steady pace of innovation, good PR, making easy-to-use products &#8212; but none of them seemed to be the end-all, be-all of high-tech success.</p>
<p>So I decided to look at the question from the opposite angle. <strong>What makes a technology company <em>fail</em>?</strong> Here are a handful of companies from the past twenty years that strike me as prime examples of organizations who lost a commanding lead and/or market dominance in a particular field due to their own idiocy or incompetence.</p>
<p><strong><img style="margin: 0px 0px 10px 10px; float: right" src="http://www.davidlouisedelman.com/wp-content/uploads/atari-2600.jpg" alt="Atari 2600 console" width="300" height="169" /></strong><strong>1. Atari.</strong> The mass market videogame console was more or less invented by Atari in the late &#8217;70s. Their only real competitor for years was Mattel&#8217;s Intellivision, which may have had vast technical superiority but had inept marketing. (George Plimpton? You&#8217;ve <em>got</em> to be kidding me.) But instead of innovating, Atari took the road of suing anyone and everyone who touched its much-beloved system. (Activision, Coleco, Starpath, Odyssey, Nintendo, Phillips, and Epyx all suffered Atari&#8217;s litigious wrath.) There was also a precipitous drop-off in videogame quality, as anyone who remembers notoriously bad media tie-ins like <em>E.T.</em> The original company was sold off many times and finally diluted to nothingness in the &#8217;90s. The name still had such cachet, however, that Infogrames later licensed it for themselves.</p>
<p><strong>2. Netscape.</strong> Netscape partisans and Microsoft haters have long promoted the urban legend that Microsoft drove this company into obscurity. And while Bill Gates &amp; Co.&#8217;s anti-competitive practices certainly helped, ultimately the blame lies with the company itself. Netscape was running neck-and-neck with Microsoft in the browser wars for several years until its hideous Navigator 4 browser (which earned the company the Nutscrape label, among many other less complimentary names). Undeterred by their slipping fortunes, the company followed Navigator 4 with&#8230; nothing. For years. They pursued a ruinous portal strategy instead and sold out to AOL, who let the company completely die on the vine. Now Netscape is stuck with a dying portal website and an also-ran browser that piggybacks on both Internet Explorer and Firefox.</p>
<p><strong>3. Palm.</strong> The early PalmPilots finally found the magic formula that had eluded so many other companies for so long. They were easy to use, integrated tolerably well with your PC, and were extremely reliable machines. No wonder the company built up such a network of software developers. And then a long series of ownership switches threw the platform&#8217;s future in the toilet. The result? Microsoft&#8217;s Pocket PC platform (now Windows Mobile) overtook the Palm on basic, must-have features (like oh, say, enabling a contact to have both a home and business address, which the Palm <em>still</em> can&#8217;t do). I read recently that the Palm OS actually still funnels everything through emulation software for its ancient Dragonball processor, which is a good indicator of how far behind the innovation curve these folks have gotten.</p>
<p><span id="more-190"></span></p>
<p><strong>4. America Online.</strong> In order to get on the Internet in the mid-&#8217;90s, the average household could go one of two routes. They could download a program called Trumpet Winsock and configure connection strings until they tore out their hair, then FTP down a series of Internet apps of varying quality. Or they could install America Online off a single floppy disk and be up and running in minutes. AOL was on top of the world at the turn of the millennium with their buyouts of Time Warner and Netscape. What happened? They turned out to be, well, a bunch of cowards. AOL so feared getting shut out of the Windows 95 desktop and losing new customers to Microsoft&#8217;s new MSN service that they bowed to Redmond&#8217;s wishes. They continued licensing Microsoft&#8217;s Internet Explorer browser and simply let the Netscape browser die a slow death. And then, in one of the most astoundingly stupid business moves ever, they utterly failed to come up with a broadband strategy until &#8212; well, they <em>still</em> don&#8217;t have one. I thought one of the main reasons they bought Time/Warner in the first place was to get a hold of its cable networks. Wha&#8217; happened?</p>
<p><strong>5. Apple.</strong> Steve Jobs brought the modern window-based GUI to the masses via Apple&#8217;s revolutionary Macintosh computer. His reward? Getting booted out of the company by a corporate board too concerned about Steve&#8217;s titanic ego and famous inability to play nice with others. Baaaaad mistake. The corporate stiffs (Amelio, Sculley) who followed Jobs utterly failed to grasp what made Apple so unique, and pursued a course towards unexciting, run-of-the-mill products. The company was headed for the permanent dustbin of history by the early &#8217;90s when it had lost every market except that of the graphic design world. (Meanwhile, Steve Jobs was off creating his own horribly inept company, NeXT.) But this story had a happy ending. Apple brought Jobs back aboard, the iMac and iPod were born, and the rest is history.</p>
<p><strong>6. Sony.</strong> The company&#8217;s name has been practically synonymous with quality consumer electronics for a generation. But that reputation is starting to tarnish, and Samsung is now just as much of a quality brand as Sony ever was. The company has stubbornly bet the farm on its Blu-Ray high-definition videodisc, earning the ire of consumers and unnecessarily delaying the release of its Playstation 3. (Didn&#8217;t they learn anything from their own disastrous Betamax experiment?) The Playstation 3 might turn out to be the company&#8217;s redemption &#8212; or it could be the point when the company&#8217;s videogame consoles permanently ceded ground to Microsoft&#8217;s XBox.</p>
<p><strong>7. Gateway.</strong> Dell, Compaq, and Gateway were once fierce competitors for the crown of the PC industry, which boggles the mind. (Who remembers that Big Country was once just as popular and revolutionary a band as U2?) The quality of Gateway&#8217;s equipment dropped off precipitously in the late &#8217;90s, with a number of high-profile hardware recalls. And then the company spent way too much money pursuing a boutique retail presence while Dell was busy staying as far away from retail as possible. Lately Gateway has made something of a comeback, but they&#8217;ve got a <em>long</em> way to go to catch up to Dell.</p>
<p><strong><img style="margin: 0px 10px 20px 0px; float: left" src="http://www.davidlouisedelman.com/wp-content/uploads/compaq-portable.jpg" alt="Compaq Portable from the '80s" width="300" height="145" />8. Compaq.</strong> Owning an &#8220;ultra-portable&#8221; Compaq laptop was a status symbol in the &#8217;80s. Then the company spent several years creating their own proprietary drivers and components in an attempt to make their machines premium products. Instead they pissed everyone off. For several years, at least, Compaq machines were every computer tech&#8217;s worst nightmare (although the laptop I used from 2000 to 2003 was a pretty reliable machine). The company&#8217;s purchase by a troubled Hewlett-Packard has relegated its products to also-rans in the marketplace.</p>
<p><strong>9. Intuit.</strong> What happened to Quicken? Quicken <em>was</em> personal finance software for more than a decade. Then the company hung around waiting for Microsoft to acquire them &#8212; which Bill Gates &amp; Co. did indeed try to do, only to be stymied by anti-trust regulators. Quicken is still the market leading personal financial product, but it&#8217;s fighting a neck-and-neck battle with Microsoft Money. Quicken differentiates itself these days by tying in to the company&#8217;s irritating and ad-strewn websites, which doesn&#8217;t strike me as a recipe for success. The company now stakes out the niches of home tax preparation software (TurboTax) and small business finance (QuickBooks), where their products succeed because nobody&#8217;s made a serious effort lately at unseating them.</p>
<p><strong>10. RealNetworks.</strong> Once upon a time, RealAudio was the coolest thing on the planet. I&#8217;m not sure when the company began its slide into irrelevance &#8212; when was the last time you watched anything in RealVideo? &#8212; but the ad-laden disaster RealOne Player surely was a major turning point. It took the much-loved and highly functional Real Jukebox and hobbled many of its features or made them premium add-ons. Like Netscape before them, it seems the company largely got spooked by the dominance of Microsoft and tripped over their own feet.</p>
<p>&#8212;</p>
<p>So there we have it: ten tech companies, ten high-profile failures. The main causes? Seems to me they are failure of nerve, failure to innovate, excessive greed, excessive litigiousness, and overwhelming fear of Microsoft. Am I missing anything?</p>
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		<title>The Jukebox in the Sky</title>
		<link>http://www.davidlouisedelman.com/technology/jukebox-in-the-sky/</link>
		<comments>http://www.davidlouisedelman.com/technology/jukebox-in-the-sky/#comments</comments>
		<pubDate>Wed, 17 Jan 2007 18:46:14 +0000</pubDate>
		<dc:creator>David Louis Edelman</dc:creator>
				<category><![CDATA[Technology]]></category>
		<category><![CDATA[David Kirkpatrick]]></category>
		<category><![CDATA[disk storage]]></category>
		<category><![CDATA[Greasemonkey]]></category>
		<category><![CDATA[jukebox in the sky]]></category>
		<category><![CDATA[RealNetworks]]></category>
		<category><![CDATA[Rhapsody]]></category>

		<guid isPermaLink="false">http://www.davidlouisedelman.com/?p=187</guid>
		<description><![CDATA[Is music distribution going to follow the RealNetworks Rhapsody model and become a "jukebox in the sky"? Or are people going to continue buying tracks to store on their own systems?]]></description>
			<content:encoded><![CDATA[<p id="top" /><em>Fortune</em> Magazine&#8217;s David Kirkpatrick recently took a gander at the iPhone hype and concluded that the Apple model of music distribution is a thing of the past. <strong>&#8220;I doubt most people will want to buy or &#8216;own&#8217; music at all,&#8221;</strong> writes Kirkpatrick in his article <a href="http://money.cnn.com/2007/01/12/magazines/fortune/fortune_fastforward_itunes.fortune/index.htm?cnn=yes">Looking Beyond the iPhone</a>. &#8220;It will be far more useful to pick from a giant online library and listen to whatever we want wherever we are.&#8221;</p>
<p>The author then goes on to hold up as a model for the future <a href="http://www.real.com/">RealNetworks&#8217;</a> Rhapsody service, which RealNetworks CEO Rob Glaser calls &#8220;the jukebox in the sky.&#8221; It sounds like a great deal: $10 a month for all the streaming music you can listen to. The catch is that you don&#8217;t get to own any of it; everything resides on the Rhapsody servers, you&#8217;re just checking it out for a few minutes.</p>
<p><img style="margin: 0px 0px 10px 10px; float: right" src="http://www.davidlouisedelman.com/wp-content/uploads/jukebox-with-wings.jpg" alt="Jukebox with wings" width="300" height="324" />Let&#8217;s put aside the fact that RealNetworks&#8217; products turned into clunky, adware-laden pieces of crap several years ago with the release of their RealOne player. Let&#8217;s also put aside the fact that the company has lost so much ground in recent years to Apple&#8217;s iTunes and Microsoft&#8217;s Windows Media that they hardly have the clout to revolutionize the music business anymore.</p>
<p>The real (Real) question is this: <strong>Do people <em>want</em> a jukebox in the sky?</strong></p>
<p>Kirkpatrick points to the coming ubiquity of wireless broadband networking. Within the next ten years or so, we&#8217;ll all be using 3G or WiMax or some as-yet-unchristened technology to access information anytime, anywhere. You won&#8217;t need to bring your music with you on little metallic discs &#8212; or little plastic iPods &#8212; because it will all be available for the taking on the big jukebox in the sky. Why pay to &#8220;own&#8221; music at all when downloading it is effortless? Just download what you want, when you want.</p>
<p>But here&#8217;s the problem with that scenario. Broadband access isn&#8217;t the only technology that&#8217;s growing by leaps and bounds. <strong>Disk storage is exploding too, and getting cheaper by the day.</strong></p>
<p>As I write this, I&#8217;m looking at a last-generation iPod sitting on my desk with 30 GB of storage. Not quite enough to store my whole music collection yet &#8212; I rip my MP3&#8242;s at a full 320 Kbps, as God intended them to be ripped &#8212; but the newer 80 GB iPods might do the trick. Within a few years, we&#8217;ll be carrying 500 GB iPods. Seagate and Hitachi have 1 terabyte hard drives coming out this year. Flash memory is getting so cheap that you can find piles of thumb drives sitting next to the check-out counter at computer stores.</p>
<p>Guess how much data the entire printed Library of Congress contains? 10 terabytes. Yes, that&#8217;s it, 10 terabytes. Assuming we continue along this exponential trend of increased storage, you&#8217;ll be blowing your nose with 10-terabyte Kleenex soon enough. What does that mean? <strong>That means you&#8217;ll be able to carry your entire music, video, and book collection around in your pocket in 20 years. </strong>Let&#8217;s take it even further: in 40 or 50 years, you&#8217;ll be able to carry around every book ever written and every piece of music ever recorded around with you. Give it another 10 years for video.</p>
<p>So would you rather carry your digital media with you in your pocket, or would you rather carry your radio receiver with you and access your media on the great jukebox in the sky?</p>
<p><span id="more-187"></span></p>
<p>You&#8217;re going to want to carry it in your pocket.</p>
<p>Why? For starters, <strong>the great jukebox in the sky is a centralized system.</strong> This means that <strong>it&#8217;s easier for authoritarian elements to control</strong>. Courts rule that Negativland has infringed on U2&#8242;s copyrights by sampling their music? Easy enough to remedy &#8212; the court will just instruct Rhapsody to yank the Negativland tracks out of the jukebox. The surviving Beatles decide that the original George Martin-produced <em>Let It Be</em> album is an abomination and henceforth only <em>Let It Be&#8230; Naked</em> shall be heard? No problem &#8212; just overwrite the old tracks with the new ones.</p>
<p>Also, let&#8217;s not overlook the fact that a centralized system is easier for malicious hackers and pranksters to attack. And it&#8217;s much more vulnerable to the kinds of clerical errors that often plague large databases. The Gracenote/CDDB database is full of typos and just plain false information that&#8217;s damn near impossible to fix, and it only contains <em>meta</em> information. Imagine the chaos that would ensue when the jukebox in the sky&#8217;s files get corrupted. What if they post the wrong mix, or switch tracks by mistake? Good luck getting that fixed.</p>
<p>But probably the most damning factor is what I call <a href="http://www.davidlouisedelman.com/technology/greasemonkeying-reality/">the Greasemonkey factor</a>. <strong>People want their own individualized, personalized filters on reality, and the tools to create them are becoming easier and cheaper all the time.</strong> This is as true of music as it is of anything else. People want to do <a href="http://www.reddkross.com/features/RBC/">what bassist Steve McDonald did to the White Stripes&#8217; <em>White Blood Cells</em> album</a> &#8212; they want to add their own instrumentation. They want to mix it <em>their</em> way. They want to mash up the Circle Jerks with Tijuana Brass and 50 Cent, and then use it as a soundtrack for the <em>Star Wars</em> Kid&#8217;s lightsaber battle. Theoretically there&#8217;s nothing preventing you from doing this to music from the jukebox in the sky &#8212; you could create Greasemonkey filters that work on streaming music just as easily as they work on locally stored music. But what are the copyright holders going to think of that? Are they going to make the jukebox in the sky Greasemonkey-proof? Are they going to require that you ask their permission every time you want to goof around with your friends in Apple GarageBand?</p>
<p>For me, the clincher of the argument is something I don&#8217;t think everyone would agree with: <strong>people like owning things.</strong> Especially if it&#8217;s just as easy, cheap, and convenient to own as it is to rent. Have you stopped buying DVDs now that they&#8217;re available on Netflix? Have you stopped buying books because they&#8217;re available at the library? Did you sell your Toyota when Zipcar came to town? If you&#8217;re like most people, the answers to these questions are no, no, and no.</p>
<p>We can argue about whether the world would be a better place if we didn&#8217;t have such an acquisitive mindset. We can argue about whether all cultures on this planet would ultimately share this mindset given an atmosphere of abundance and indulgence like America&#8217;s. <strong>Right now I side with the philosophy that says people are acquisitive by nature. And opening a big jukebox in the sky isn&#8217;t going to change that.</strong></p>
<p>So in short: I&#8217;m sorry, but in the long run, RealNetworks&#8217; jukebox in the sky just isn&#8217;t going to fly.</p>
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