I met Dave at Capclave a few years back, shortly before the release of his first book, The Mirrored Heavens. We share in common that our books have both gotten blurbs from Peter Watts. Watts says of Dave Williams’ book that it “explodes out of the gate like a sonic boom and never stops.” If you have any doubts, all you have to do is see Dave read. I went to his first reading not sure what to expect — turns out the dude does a reading kind of like you might expect Denethor from Peter Jackson’s Return of the King to do a reading. Intense. Fast. Loud. Intense. With authority. And did I mention intense?

Here’s the description from the back of the book:

With The Machinery of Light, David J. Williams completes his furiously paced, stunningly imagined trilogy—a work of vision, beauty, and pulse-pounding futuristic action.

September 26, 2110. 10:22 GMT. Following the assassination of the American president, the generals who have seized power initiate World War Three, launching a surprise attack against the Eurasian Coalition’s forces throughout the Earth-Moon system. Across the orbits, tens of thousands of particle beams and lasers blast away at one another. The goal: crush the other side’s weaponry, paving the way for nuclear bombardment of the cities.

As inferno becomes Armageddon, the rogue commando unit Autumn Rain embarks on one last run. Matthew Sinclair, an imprisoned spymaster, plots his escape. And his former protégé Claire Haskell, capable of hacking into both nets and minds, is realizing that all her powers may merely be playing into Sinclair’s plans. For even as Claire evades the soldiers of East and West amid carnage in the lunar tunnels, the surviving members of the Rain converge upon the Moon, one step ahead of the Eurasian fleets but one step behind the mastermind who created Autumn Rain—and his terrible final secret.

Yes, it’s cyberpunkish, and it’s also military fictionish. But don’t be dissuaded into thinking these are dumb shoot-’em-ups with ray guns. This is intelligent stuff, heavily researched, detailed and backgrounded. Mr. Williams even caused a little bit of a stir by getting into a science tiff with Jerry Pournelle a little while back, an incident which sounded like great fun.

And hey, if you’re intrigued, it so happens that Dave’s reading tonight at 7pm at the Borders on 1828 L Street NW, and then there’s going to be an afterparty at the Science Club. If you’re really motivated, you might just have time to read books 1 and 2 of his Autumn Rain trilogy before you go.

I don’t expect Dave to run and jump off a tall balcony covered in flames like Denethor did in Return of the King. But you never know. It would make a good finale to the trilogy, wouldn’t it?

Since I’ve received a number of comments and emails asking me about the ending of Geosynchron, I’ve decided to open up about it and discuss it here. Oh yeah, in case you haven’t figured it out, thar be spoilers ahead.

Let me start with a comment by Jason in a previous post:

…[T]urning Natch into a deaf, mute, blind, retarded person did not seem to have a point. The explanation of the role of the autonomous minds felt like half of an explanation because no time was spent explaining how or why they function the way they do. They appeared to be basically, magical, especially in regards to their connection to the Pharisees. I thought the story of the autonomous minds held immense promise and I was hopeful to learn more about their role in the history of the world you have created, so perhaps this is why I feel so let down by the explanation you gave. I feel like I completely missed something either much earlier in the story or even within the last book that would have helped me understand your intent in telling this final part of Natch’s story in the way that you did.

Regarding Natch’s fate: if you think about possible endings for Natch using a(n almost MultiReal-like) process of elimination, you’ll see that there are not many other fates that work for the character. The whole point of the character is for him to go from a state of complete selfishness to a state of complete selflessness. He begins Infoquake callously threatening all of civilization with a fake black code attack; he ends Geosynchron sacrificing everything he knows and loves to prevent an Autonomous Revolt-style catastrophe that threatens humanity.

Natch is presented as a character of limitless drive and desire (see my Big Idea piece on John Scalzi’s Whatever blog for more about that). By the end of MultiReal, he’s achieved everything he ever wanted, or at least everything he always thought he wanted: freedom to explore his programming with virtually unlimited funding, without constraints of government or society. Not only that, but he’s got a program under his command that lets him find the best of all possible worlds with every decision. But he soon sees the emptiness behind these goals, and finds himself in the complete opposite position at the beginning of Geosynchron: trapped in the Patels’ dungeon, unable to move forward, unable to do anything except sit and wait for the world to do what it wants to him. Achieving everything he wanted has led him… nowhere.

Where can Natch go from there?

Clearly by the end of the trilogy, Natch has to pay for the suffering he’s inflicted on his friends and on the world. To make him a martyr is too easy (and not enough of a punishment). If he escaped unscathed, where’s the sacrifice? Clearly he’s got to give up something, and it can’t be something trivial like getting banned forever from running a fiefcorp. Besides which, what would Natch do for the rest of his life in a society where he’s already climbed the highest heights and plumbed the deepest depths?

So he takes responsibility for his mistakes and saves the world in the process, giving up everything he ever held dear to do so (his relationship with Horvil and Serr Vigal, his fiefcorp, his money, his ability to program or experience bio/logics, etc.). He’s stepped off that constant treadmill of boundless want and desire that he’s been on since birth — the treadmill that society has trained him to be on with its constant software “upgrades” and technological “improvements.” And as a result of his decision, Natch winds up at peace for the first time in his life. Did you notice that by the end of the novel, he achieves everything that the Surinas have laid out as the “path to Perfection”? Blind and deaf he may be — not sure I implied that he’d be “retarded” — but he’s also freed from the constraints of Time, freed from the constraints of Distance, freed from the constraints of Cause and Effect.

So is it a happy ending? Well, partially; it’s happy that Natch managed to find some way to achieve inner satisfaction in the end. But sad that he could not figure out how to do it within the bounds of society. Clearly the ending of Geosynchron isn’t meant to encourage everyone to toss away all their belongings, gouge out their eyes and trek out to the desert. But maybe it will help put our lives in perspective, just a little bit? I dunno, that’s up to you.

Okay, I’ve said enough, time to retreat back behind the curtain of mystification once more.

The wait is over. Geosynchron is here! Which means that the trilogy which began as a gleam in my bio/logically-enhanced eye way back in 1997 or 1998 is completely in print, and you can now judge the entire story on its merits. Or you can simply stare at the gorgeous Stephan Martiniere cover for hours on end and try to figure out who the heck that guy is sitting Indian style on the cover, which is what I do. (The answer? I really don’t know. I’m guessing it’s either High Executive Len Borda or it’s Ian Holm fresh off the set of The Fifth Element.)

Anyway… boy, am I gonna need your help on this one. This is the last launch of a Jump 225 book, which means it’s the last best time to spread the word about the trilogy. So please, forward to your friends and family members, post reviews online, write blog posts, tweet, spray paint Geosynchron-related graffiti on the front of government buildings! Just tell them that Neil Gaiman sent you.

Oh yeah, and why don’t you read the book too, and let me know how you liked it?

“So, Dave, How Do I Buy Geosynchron?”

Glad you asked. Most writers (the smart ones, at least) will tell you to buy their books in whatever way makes the most sense to you. Amazon and Amazon UK are both selling it (both in paper and on the Kindle). If you’re not partial to Amazon, you can always order from Barnes & Noble or Books-a-Million. Want to support an indie bookstore? Try Borderlands Books, Mysterious Galaxy or Powell’s — or search for it at the independent bookstore nearest you on IndieBound.

If you really feel like going out of your way — and this is totally optional — probably the most helpful thing you could do is to walk into an actual Borders or Barnes & Noble store and ask for Geosynchron by name. If they’re not carrying it, express your shock and amazement loud enough for everyone in the store to hear you, and then special order it from the counter.

Geosynchron: A “Seminal Work of 21st Century SF.”

Man, the critics are saying all kinds of things that are making me blush from my bald head down to my hairy toes. This may be the best-reviewed book of mine to date. Here are the highlights since the last newsletter. And no, I haven’t slept with any of these people.

• Locus Magazine: “This smart, idiosyncratic blend of cyberpunk, libertarian entrepreneurship, and social engineering will, I think, stand as a seminal work of 21st century SF.” (Full Review Forthcoming)
• Fantasy Book Critic: “Geosynchron achieves a rare feat for a trilogy-ending volume, namely it takes the series one level higher, beyond mundanity to true sense-of-wonder SF, so it finally plays on the level of the masters of modern SF… An A+ and so far the best core-SF novel I’ve read in 2010.”
• io9: “More warped than ever… Geosynchron is an engaging conclusion to a thrilling, thought-provoking saga.”
• Library Journal: “Taking cyberpunk to the next level, this conclusion to Edelman’s trilogy… presents a drama of future technology that combines action with psychosocial intrigue. Tension comes as much from the clash of ideas as from physical confrontation. Highly recommended.”
• Grasping for the Wind: “Just amazing. How anyone could make a boardroom discussion so exciting is beyond my comprehension. With words, not lasers, Edelman produces a fiction that has no peer… David Louis Edelman’s Jump 225 trilogy is one of the best space operas currently in print… If you read no other science fiction story this year, read the Jump 225 trilogy.”
• Rob Bedford of SFFWorld: “Today I finished what is, so far, the best SF novel I’ve read this short year and probably best overall — Geosynchron by David Louis Edelman. A fine finale to what is a superb SF trilogy.” (Full Review Forthcoming)

Interviews and Guest Blog Posts.

If reading the reviews isn’t enough for you to get your Geosynchron fix, then click on through to some of these interviews and guest blog posts:

• John Scalzi’s Whatever hosts a “Big Idea” blog from me today about how a scene from Arthur C. Clarke’s 2001 helped inspire the Jump 225 trilogy, and why humanity is powered by dissatisfaction.
• Pat’s Fantasy Hotlist hosted a guest blog from me this week wherein I divulged why the initial letters of the Jump 225 books spell out IMG. (Hint: think HTML.)
• Grinding to Valhalla talks to me about my RPG, videogaming and boardgaming past, the rewarding and not-so-rewarding things about writing, and Yars’ Revenge. Yes, Yars’ Revenge.
• The DC Speculative Fiction Examiner’s Josh Vogt interviewed me about the writing process, things about the books I would change in retrospect, and which settings of the books I’ve actually visited. (Hint: pretty much none of them.)

GoodReads Jump 225 Giveaway.

GoodReads members can register to win (separately) a signed copy of Infoquake, MultiReal, and Geosynchron. All you have to do is sign up for, or already be a member of, GoodReads. Contest is scheduled to start today and end Friday, March 5. For more details:

• The GoodReads page for Infoquake
• The GoodReads page for MultiReal
• The GoodReads page for Geosynchron

Upcoming Appearances.

• March 19-20: Virginia Festival of the Book, Charlottesville VA.

Thanks for all the support over books 1, 2 and 3! Now go ye and spread the word about Geosynchron. Go thee thou and spreadest the word, I say.

Taking cyberpunk to the next level, this conclusion to Edelman’s trilogy (Infoquake, MultiReal) presents a drama of future technology that combines action with psychosocial intrigue. Tension comes as much from the clash of ideas as from physical confrontation. Highly recommended.

I suppose after Rob Sawyer had me resuscitating cyberpunk with defibrillator paddles in hand, it only made sense for me to take cyberpunk up to the next level. Perhaps next I’ll get to take cyberpunk to its room and hook it up to an IV.

Edelman presents a gritty, tech-heavy thriller that builds on cyberpunk tropes in interesting and detailed new ways. The world developed in 2008’s MultiReal and 2009’s Infoquake has become inflamed with civil war and rebellion as MultiReal, a technology that mathematically projects possible futures to aid in decision making, suddenly becomes inaccessible. Into this chaos, MultiReal-D makes its first tentative appearance… Numerous characters seek their own goals in a labyrinthine plot, but Edelman does manage to bring his disparate threads together to create a coherent and even cohesive conclusion that’s most accessible and satisfying to those who have read the earlier books.

See? Pretty good review, though alas, not a coveted starred review. The spoiler isn’t too irksome, especially if you know that there are four or five other major surprises waiting in the book. PW also messed up the release date for Infoquake — which was the first book of the trilogy and released in 2006, not 2009. But hey, there really isn’t a bad word in there. I’ll take it!

(And hey, did I mention that Geosynchron is available for pre-order at Amazon, Barnes & Noble and IndieBound, among others?)

Friday, October 16

• 7:00 PM: LibraryThing, Goodreads, and Other Book Conversations
  Participants: Colleen Cahill (m), David Louis Edelman, C. Alan Loewen, Karen Newton
  The annual panel on online book social media, which Capclave has put me on for four years running now. Guess I haven’t made too much of a fool of myself on this panel.
• 9:00 PM: Books (and Writers) Past their Expiration Date
  Participants: Allen Wold (m), John Betancourt, David Louis Edelman, Kathy Morrow, Darrell Schweitzer, Ted White

  A discussion about why books and authors go out-of-date and/or out-of-style.

Saturday, October 17

• 4:00 PM: Even Hard SF Uses FTL
  Participants: David Louis Edelman (m), Eric Choi, Michael Flynn, Ed Lerner, James Maxey
  For some reason, somebody decided I should moderate this panel. Perhaps it’s because Norman Spinrad wrote in Asimov’s that “Edelman seems to have convincing and convincingly detailed knowledge of the physiology and biochemistry of the human nervous system down to the molecular level. And cares about making his fictional combination of molecular biology and nanotech credible.” (I never get tired of that quote.)
• 7:30 PM: Reading from Geosynchron
  This will be the first public reading from my upcoming Geosynchron. I plan to read chapter 3, which features Quell the Islander running around shooting people with black code in prison. You’ve been warned.

Sunday, October 18

• 12:00 PM: Book Signing
  Alongside Allen Wold and Yoji Kondo. So, um, bring your books and I’ll sign them. Or better yet, buy new books and I’ll sign them.
• 2:00 PM: Post Consumer Economy
  Participants: James Maxey (m), Lenny Bailes, David Louis Edelman, Tom King, Kathy Morrow
  I keep asking to be put on these futuristic economy panels, despite the fact that I know almost nothing about economics, largely because I keep thinking it will help promote my books.

Hope to see you there!

This trilogy that began with something I dashed off on a laptop back in 1997 or 1998 is now, more or less, finished. Complete. Finito. I have some line editing and a couple of appendices still to write (“On the Islanders” and “On the Pharisees,” if you must know). But it’s a complete story.

Here are some of the things you can expect from Geosynchron, the concluding volume of the Jump 225 trilogy, when it hits the stores in late February-ish of 2010. (Pre-order it on Amazon here.) I’m going to try to keep this light on the spoilers, so don’t worry that I’ll ruin something crucial. But if you’d rather go into the book completely blind, then, you know, stop reading. Duh.

Some of what you’ll see in Geosynchron:

• Natch imprisoned in a windowless chamber where MultiReal is useless and “time has become unpredictable”
• A ruinous civil war between Len Borda and Magan Kai Lee, including some actual large-scale battle scenes
• A five-chapter-long climax involving a military strike, a MultiReal choice cycle battle, a covert mission, and (of course) creative advertising and marketing techniques
• Quell again giving a one-man exhibition in whoopassery (this time with a dartgun and his bare mitts)
• My homage to the Council of Elrond in The Lord of the Rings: an 18-person, 8,276-word Council of Magan Kai Lee
• A court battle between Jara’s fiefcorp and Margaret Surina’s unscrupulous cousins, Jayze and Suheil
• The introduction of several new characters, including:
  • Richard Taylor, Pharisee and member of the Faithful Order of the Children Unshackled
  • Josiah, son of Quell and novice representative in the Islander parliament
  • Bali Chandler and Triggendala, seasoned representatives in the Islander parliament
  • Plithy, a young punk caught in a Council orbital prison
  • Rodrigo and Molloy, a black code junkie and a black code dealer
  • Martika Korella, an attorney in Andra Pradesh
• Horvil imploring Jara to have sex with him in a Sigh environment called “Vat of Baked Beans”
• The truth behind the Autonomous Revolt that devastated humanity hundreds of years ago (hint: it involves blood sacrifice)
• The truth behind Quell’s thirty years in the compound at Andra Pradesh
• The truth behind the infoquakes that have been wreaking havoc since midway through book 1
• A political manifesto by Quell’s son Josiah, which explains the concept of Grand Reunification
• Events that happen and then unhappen, as well as events that take place in virtual time
• Chapters set in:
  • 49th Heaven, the orbital colony known for its licentiousness
  • Sao Paulo, home to the Patel Brothers
  • Manila, capital of the Free Republic of the Pacific Islands
  • Orbital Detention and Rehabilitation Facility, 12th Meridian, a Council prison
• An ending that’s — well, unique, being that it consists of six chapters that are 95% dialogue
• The climactic confrontation between Natch and Brone that you’ve all been waiting for
• The fate of the world being put to a vote by… the drudges?

A few interesting facts about Geosynchron:

• The current length of the book is 138,244 words; add in the as-yet-unfinished appendices, acknowledgments and afterwords, and the total will probably be around 145,000 words. Slightly shorter than MultiReal’s 150,000 words, a bit longer than Infoquake’s 122,000 words.
• The book is once again divided into six sections:
  1. The Prisoners
  2. A Game of Chess
  3. The Consultants
  4. Nohwan’s Crusade
  5. Tyrants and Revolutionaries
  6. The Guardian and the Keeper
• Geosynchron contains 42 chapters. The shortest chapter (Chapter 1) is 646 words long; the longest chapter (Chapter 30) is a whopping 8,276 words. (I am, however, considering splitting that chapter in two, even though the Douglas Adams fan in me recoils at the thought of adding a 43rd chapter.)
• The first sentence: “Margaret Surina is rejuvenated.”
• The book’s epigraph is a quote from John Steinbeck’s East of Eden: “Not every man is defeated. I can name you a dozen who were not, and those are the ones the world lives by.”

After reading all this, you might be asking the question, Is he really going to tie up all of those loose ends in one book? This isn’t one o’ them Robert Jordan-type situations, is it? And my answers to these questions are Yes, for the most part and No.

Geosynchron will end the Jump 225 trilogy. Meaning, the three primary stories I’m trying to tell with this trilogy will conclude at the end of this book. (For the record, those stories are: 1. Natch’s attempts to break free from his utter self-absorption, 2. Jara’s attempts to find value in herself, 3. A world trying to cope with out-of-control technological change.) Does that mean you’re going to see a nice, tidy conclusion where I summarize what every character does for the rest of their lives, Animal House style? Nope. If you’re looking for neat, foursquare endings to all of the plotlines in the trilogy, you’ll be disappointed.

I’m not going to preclude writing more in this universe at some date in the future. But at present, I’ve said all that I’ve got to say in this universe. There are other milieus and other genres that I’d like to take a stab at. There’s this YA fantasy series I’ve been itching to write since the late ’90s about an English boy who attends a school for wizards. I’m not too late, am I?

(Oh yeah, and hopefully this means I’ll have a little bit of time to blog again. Hopefully.)

Until now, my answer has always been, It’s not my decision, pal. I don’t own the electronic rights. And don’t call me a jackass, punk.

To which they reply… well, you get the picture.

But as of today, I can now join the ranks of the electronically published. Yes, via the Pyr-o-mania blog, I see that Infoquake is now available on the Amazon Kindle. Go check it out on Amazon. Not only is it available, but it’s one of the first five titles available on Kindle from Pyr. (For the record, the others are: Justina Robson’s Silver Screen and Going Under, Mike Resnick’s Starship: Pirate, and Lou Anders’ anthology Fast Forward 1.)

I’m told there are a lot more Pyr titles in the works — including, yes, MultiReal — but there’s no telling exactly when they’re going to hit the street. So hopefully by some point next year, you’ll be able to read the entire Jump 225 trilogy electronically. You won’t be able to project it holographically on your retinas yet, unless you’re Ray Kurzweil, but here’s hoping we’ll be able to do that in our lifetimes too.

(And by the way… yes, I would love to be able to post a picture of what Infoquake actually looks like on the Kindle. But unfortunately, I don’t own one and don’t anticipate buying one anytime soon. So if anyone does get a chance to email me a nice high quality digital photo of Infoquake on the Kindle, I’d really appreciate it.)

The cover painting is once again by the incomparable Hugo Award-winning artist Stephan Martiniere, whose paintings for the covers of Infoquake and MultiReal have been blowing minds for many a month.

And here is the catalog copy for the book, which provides something of a spoiler (though a necessary one) for the cliffhanger at the end of MultiReal.

DAVID LOUIS EDELMAN’S BUSINESS SCIENCE FICTION SAGA THAT BEGAN WITH INFOQUAKE AND MULTIREAL COMES TO A STUNNING CONCLUSION WITH GEOSYNCHRON, THE LAST BOOK OF THE JUMP 225 TRILOGY.

The Defense and Wellness Council is enmeshed in full-scale civil war between Len Borda and the mysterious Magan Kai Lee. Quell has escaped from prison and is stirring up rebellion in the Islands with the aid of a brash young leader named Josiah. Jara and the apprentices of the Surina/Natch MultiReal Fiefcorp still find themselves fighting off legal attacks from their competitors and from Margaret Surina’s unscrupulous heirs — even though MultiReal has completely vanished.

The quest for the truth will lead to the edges of civilization, from the tumultuous society of the Pacific Islands to the lawless orbital colony of 49th Heaven; and through the deeps of time, from the hidden agenda of the Surina family to the real truth behind the Autonomous Revolt that devastated humanity hundreds of years ago.

Meanwhile, Natch has awakened in a windowless prison with nothing but a haze of memory to clue him in as to how he got there. He’s still receiving strange hallucinatory messages from Margaret Surina and the nature of reality is buckling all around him. When the smoke clears, Natch must make the ultimate decision — whether to save a world that has scorned and discarded him, or to save the only person he has ever loved: himself.

I’ll have more to say about this later, but figured that it couldn’t hurt to just post this stuff asap.

(Oh, and if you’re so inclined, the book’s now available for pre-order on Amazon.)

First, I’ve been interviewed by Shaun Farrell for the Adventures in Sci-Fi Publishing podcast. It’s a rather lengthy interview — 30 minutes or so — and it covers everything from whether Natch is the “hero” of Jump 225, why the series is titled Jump 225 in the first place, what is the nature of Natch’s drive to succeed, and why Moonwatcher from 2001 was in a way the first Natch.

Stargate writer and producer Joseph Mallozzi posted my answers to his book club questions about Infoquake recently. The group really seemed to delve into the book and had a very insightful discussion, not only here, but during several days of preceding blog posts. Topics covered include my favorite character, how likely I think the Infoquake future is, and why (or whether) the book ends abruptly. Excerpt:

Iamza writes: “I’m not so sure I really understand MultiReal. As outlined by Margaret, it sounds kind of great — a chance to have things turn out exactly as you wanted. But what happens when the batter wants to hit a six and the bowler wants to get his tenth wicket for no runs (hah, take that, baseball analogies! Give me cricket any day of the week). Whose reality ultimately wins out — or do both batter and bowler split off into separate universes, each achieving their individual goal? For every individual who’s installed the MultiReal program, are there a zillion universes in which things go wrong, and only one in which everything is golden.

DLE: Now you see the big dilemma with MultiReal technology. One of the main subplots in book 2 is how to resolve conflicts very much like you describe. Natch, Jara & Co. discover that there are a lot of broad sociological implications in how MultiReal resolves these conflicts. For instance: how do you charge customers for all those realities? Do you charge a flat fee, or do you charge for each alternate reality they pick? If you choose the latter, does that mean the rich would automatically win every argument?

(Admit it, you’re just making these funny cricket terms up. “The batter wants to hit a six”? “Getting his tenth wicket”? Surely you should not be using such language on a family blog like Mr. Mallozzi’s.)